2017

 
Photo by Melisa Cardona

Photo by Melisa Cardona

GOMELA/TO RETURN: MOVEMENT OF OUR MOTHER TONGUE
2018 Tour

JANUARY 19-22 & 26-29, 2017
Ashé Powerhouse | 1731 Baronne st., New Orleans, la 70113

Gomela, a Bantu word, means “to go back to/to return.” Directed by Stephanie McKee and developed by dancers Kesha McKey, Kai Knight, Jeremy Guyton, poet Sunni Patterson and drummer Jawara Simon, Gomela takes us on a journey through time and space. Making evident the connection between Africa, Haiti, and New Orleans, Gomela highlights the vibrant and percussive movements and stories that breathe life into ancient African dance and drumming and contemporary artistic expression, such as spoken word, hip-hop and jazz. Gomela is an experience of collective memories passed down from generation to generation, a tapestry woven by a group of multi-disciplinary artists who represent the diversity of African Americans who call New Orleans home.

Gomela is based on hope, survival, courage and the resilience that exists in the face of oppression. It is about the heartbeat of a people that will never die, the culture and traditions that continue to evolve, grow and survive the test of time. It illuminates Place Matters—gentrification and the Right of Return of New Orleanians displaced after Katrina; and Black Lives Matter—the beauty and resilience of black people, past and present.

 
Photo by Melisa Cardona

Photo by Melisa Cardona

power of the black feminine

june 9-11, 2017
Contemporary arts center | 900 camp st., new orleans, la 70130

we free by Marguerite Hemmings: An exploration of the milennial generation’s take on liberation, this “experimental dancehall” performance challenges the norms and expectations of how we express ourselves.

Boschimanne: living curiosities by KM Dance Project: An exploration of the story of Sara “Saartjie” Baartman (Hottentot Venus) through movement with a focus on the exhibition of the African American female body image and the establishment of European ideas of black female sexuality.

Looking at a Broad by Rebecca Mwase A layered choreo-poetic solo performance that invites audiences to question, witness and engage the multiple oppressions, expectations and constructions of race, gender, sexuality faced by black women living in the United States